Gold, glass, the eye

Jewelry

Necklaces from Tharros and Carthage, glass faces, gold uraei. What the body wore, the grave kept. The museums still have our throats.

Phoenician glass necklace of forty-five beads with gold religious pendants, British MuseumPhoenician necklace from Tharros, Sardinia, British MuseumPhoenician glass necklace, Archaeological Museum of Cagliari

What the ships wore

Glass paste, cornelian, agate, gold. Eye-beads to turn harm. Ram-heads for fertility. Uraei and altars in miniature, hung at the throat. The same grammar of adornment turns up from Sidon to Ibiza, from Tharros to Carthage — one workshop culture, many harbors.

The British Museum holds a Phœnician necklace of forty-five glass beads, blue ornaments, religious gold pendants, a central plaque with a vase on an altar flanked by two uraei. Another, from the graves of Tharros in Sardinia, made the same voyage the people made.

Gad Yaton: they call it jewellery and put it in a case. It was a language. Protection, rank, the gods in gold small enough to wear to sea.

Gad Yaton · from the restoration

All crafts